Jimmy Eat World Bleed American Zip
'Digits' shows more ambition, with a Slint like instrumental for its intro. The guitars chime and interplay, leaving you unsure as to what's going to happen next. Then, out of nowhere, the band come back in with a crash, and Adkins yells with a ferocity that with make you nearly jump out of your seat. The song tumbles along in punk pop fashion for a while, before leading into a gentle outro, with Adkins' vocals soaring over the top, and the last sounds in the song are soft chirps of birds. Fantastic music.
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Bleed American is the fourth studio album by American rock band Jimmy Eat World, released on July 24, 2001, by DreamWorks Records. Originally released as Bleed American, it was re-released as Jimmy Eat World following the September 11 attacks on New York and Washington, D.C., which took place seven weeks after its initial release. Schweser frm 2017.
Sound: Jimmy Eat World. Four good dudes just trying to make some sweet alternative rock.
After changing their old punk style from their first album, the band started making up their own style of rock music. The best way anyone could ever describe this album would be 'prog-alternative-emocore' (as in Sunny Day Real Estate emocore). There are some harder songs like 'Caveman', 'Thinking, That's All', and 'World Is Static.' However, if you're not into artsy rock, a lot of these songs won't appeal to you due to their lack of a distinctive melody in a lot of the songs. Good drumming, nice bass lines, and some really innovative guitar work (although a lack in solos) appears in this album.
Impression: Sonically similar to Jimmy's Clarity album, except for the additional instruments being used on Clarity. Most impressive songs for me were 'Anderson Mesa', 'Thinking That's All', 'Robot Factory', and 'Claire.' There are some very epic and brooding songs on this record, so if you bought it thinking it was gonna be a thirty minute pop stint, you were completely blown away. If I lost this album, I would definitely go buy another copy, the reason being that Static Prevails isn't sold as frequently as the other Jimmy albums.
Great record, great songs, great band. With their third album Clarity being one of the most overlooked masterpieces of 1999, Static Prevails is Jimmy Eat World paying their dues in 1996. It could be the slight over-production (a curse that has always haunted the band), being on a major label for the first time, or them trying to get a feel for pulling fancy studio tricks (i.e., numerous backing vocals, cellos, and Moog additions). Maybe it's all three, but what Static Prevails essentially lacks is the songwriting maturity that Jimmy Eat World could have perfected; but it's almost as if the studio heads at Capitol wouldn't let them so that there would be more room for radio-friendly pop songs. In the end, nobody won. However, tracks such as 'Anderson Mesa,' 'Call It in the Air,' and 'Seventeen' don't cross that line of boring alternative rock but remain in that aggressive pop status.